Search: Starring Steve Oram

Aaaaaaaah! is a beautifully crafted piece of work masquerading as an ethnological study made by chimpanzees.

A rather crummy cop-out ending spoils the good-natured laughs

Though it shifts its focus into something much darker towards the end, the meat of it is in the father-son relationship, in their interactions and the ways that they observe each other.

What is interesting here is that Olivia is never objectified.

Walker's performance as a woman mentally imprisoned by the strength of her own feelings is painful to watch, in a good way.

You might not think you're in the mood for buying, but his extravagant sales pitch is likely to win you over by the end.

Haddon is excellent in the lead.

The psychological drama, which Pearson handles with impressive assurance, is the strongest part of the film.

This is the kind of film that could easily be a disaster, but despite obvious budgetary limitations it acquits itself well.

A beautifully observed portrait of a couple in crisis.

One of the cleverest and most entertaining comedies of the year.

If Malick's lands were bad, then Wheatley's are sad, as small injustices, petty jealousies and perceived slights lead to cold blooded murder and childish revenge.

An unusually intimate, exploratory film underscored by dry humour, Sky Peals has an atmosphere that you won’t find anywhere else.

Much of the humour in the film depends on contrasting viewers' expectations of rural life with the paraphernalia of Sixties spy movies and Seventies cop shows.

Nesbitt is magnificent, letting us see the weight of all those years of regret and self-hatred but also the joy that comes from approaching life in a new way and helping somebody else gain confidence.